(for those of you keeping track at home, these are the books I read between Feb. 1st and Feb. 7th – yes, I am very behind.)
Blue comes from a family of clairvoyants, all women, but she isn’t one herself. Gansey is on a quest. Mostly because he’s rich and therefore bored, but that doesn’t stop him from being obsessive about it. He’s also going to die before the year is over. He doesn’t know this, but Blue does.
As I’m sure you’ve guessed, Blue and Gansey (and Gansey’s gang of misfits) cross paths. Hijinks ensue.
Intellectually, I have all kinds of issues and questions, mostly pertaining to my annoyance with Blue’s Smurfette status. Did she have no friends her own age until she met the boys? Does she ever manage to get some female friends? What did she do before the boys came along, besides hang out with her family? etc.
Emotionally though, I was totally and utterly sucked into this book. The plot was likely full of holes and misuses of history and myth, but I honestly didn’t notice, I was too busy being distracted by the twists and surprises. Also, the dialogue. Blue (and Adam) skewering Gansey’s privilege, blindness, and self-absorption was an absolute delight. Centering Blue in a family of unique and talented adult women – and taking the time to show her relationships with them – was a huge plus.
Raven Boys was not a particularly deep book, but it was fun.
Kaelyn never really fit in at her school in Toronto, so when her family moves back to the island she grew up on, she’s relieved to say the least. But just as things are getting to back to normal, a new and deadly sickness spreads through the island, disrupting life as it was and leaving death and devastation in it’s wake.
While Crewe’s slow moving crisis doesn’t sink to the levels of boredom found in Pfeiffer’s Life as We Knew It,** it’s not terribly gripping either. The plot is fairly decent and the idea (a new deadly disease, a race to find a cure, and an isolated community increasingly devolving into chaos) is interesting. Unfortunately, the prose lacks any sort of punch or personality – especially considering the topic and that the story is narrated in first person. And then there was the inexplicable conceit of having Kae address her diary/journal to an estranged crush/friend; that was annoying and confusing and odd.
Murder! Misfits! Mystery! and parker! All at midnight! This should be an awesome book! I don’t understand how this is not an awesome book. No, really, I don’t understand how it was possible to make this book as boring as it was. Plus! bonus slut shaming directed towards a victim of child sexual abuse.
Simplicity and a little something extra is the key to a great board book. All too often the latter detracts from the former, but that’s not the case here. Each page features a tiny splash of shimmer and color added to the black and white graphics. Rather than merely being eye-catching, the addition is expertly done; the subdued jewel colors manage to accent rather than compete with the minimalist elegance of the illustrations. The text is basic but lyrical, just as prose for babies should be.
Wan is definitely a talent to watch. Her retro/kawaii style art works well for little ones; the bold lines makes the art easy to “read” and the cuteness is both appropriate and appealing. The patterned sentences complement the artwork well and work in adjectives and nouns that aren’t often found in board books, but yet – being about food – are ones that babies might hear in other contexts.
*I’m so sad that these books were little and no fun, respectively – they both have main CoC and I was really hoping to find more good genre titles with CoC to add to my list of what to get for the library.
**Kae is often quite concerned with what is going on outside the island, as any normal person her age would be. It is, in fact, a topic of conversation more than once. This alone makes it ever so much better than Life As We Knew It.